Hellboy Vol 1: Seed of Destruction
Review by Isaac Magaña
October 1, 2008
Writer:
John Byrne
Pencils: Mike Mignolia
Colors: Mark Chiarello
Letters: Lois Buhalis
Editor: Barbara Kesel
Published by Dark Horse
Reprints:
Hellboy Vol 1, #1 - 4, San Diego Comic-Con
Comics #2, and Comic’s Buyer Guide #1070
It took two
Hellboy movies for me to finally get the
motivation to try out this book. I don’t know
why, but I was expecting the comic character to
be very similar to the movie character. I was
wrong. I forgot to tell myself that comic movies
aren’t always the best for translating comics.
This wasn’t the only surprise in this book, but
I can tell that whatever incarnation the movie
was based on this was the very beginning of
that.
The story
starts off like a standard first-issue. We get a
very simple origin story for Hellboy in that he
just appears and is discovered by a paranormal
research team. We then skip forward to the
immediate present where Hellboy is grown and has
become a part of the same team. We don’t know
much of what has happened to Hellboy, only that
one of members of the team became his adopted
father.
It is this
relationship that kicks off the story. Hellboy
is summoned by his father only to see his father
murdered by a strange reptile-like creature.
Hellboy retraces his father’s footsteps and
learns that he just returned from an expedition
to the North Pole. His father accompanied a
family who has been traveling to the North Pole
for a number of generations in search of
something about which the family is not truly
aware. It seems that with Hellboy’s father on
the team this generation did find something and
it came back with them. What follows is a
strange adventure story along with a small
glimpse of Hellboy’s purpose and origin.
Hellboy’s supporting cast is introduced as well
and given proper introductions to the audience
by a voiceover done by Hellboy himself.
Mike
Mignolia penciled this series but it was written
by John Byrne. Mike’s art seem to fluctuate a
lot during these stories. Some pages seem bland
but yet other pages were full of beautiful and
detailed art. It’s as if Mike was drawing pages
out of order or with a different mind set. Byrne
delivers a good story that doesn’t leave too
much absent. While there are other plot elements
dropped in, they don’t drown the main story. The
colors are reminiscent of the same coloring
techniques from the 1980’s, solid color
backgrounds and very minimal shading.
Overall, I
found the book enjoyable but I didn’t walk away
excited. These four issues were a basic
introduction to the series. We are given no
concrete reveals about Hellboy and little
reveals about everything else in the book except
for the main plot. A lot of stuff was planted in
these four issues, so it would be interesting to
see how they are followed upon. The last two
issues in the book are Hellboy’s first
appearances to promote the book. They’re a quick
read and just fun stories, little development,
mostly just action. The art was good and the
story was good, nothing too amazing but nothing
horrible either. I think it earned the right
score.